Hullo SF. you posted that on the 41st anniversary of Alex's dearh, and I'm replying on what would have been his 88th (!!} birthday.
Personally I wouldn't say they were the best Scottish band, there are a fair few whose music I like better.
However, if you were to say they were one of the most dramatic, most theatrical, most intriguing bands from here, or pretty much anywhere, I really couldn't argue with that.
I was a bit too young to really appreciate SAHB at the time apart from seeing them do
Delilah and
Boston Tea Party on Top of the Pops, which were both quite the talking point in school the day after, but one of my older cousins was a huge fan, so I'd heard a lot of their stuff from him - I'd know a lot of the songs but not the titles and vice-versa.
You'll be aware of the kerfuffle over
Delilah being played at Wales's rugby internationals because it's supposed to be celebrating a man murdering his unfaithful girlfriend. I don't think it is celebratory, it's a pretty matter-of-fact retelling of events imo. It's not the first and it won't be the last song to portray what is a pretty common lyrical trope, and in France it would likely be seen as a
crime passionel.
So, coming back to SAHB, the Tom Jones version of
Delilah is a bit of a crowd-participayion singalong, but when Alex sings it, it's a confession.
47 years on and it's still kinda disturbing
And just to show that homicidal betrayed lovers aren't exclusive to one gender, here's one of my fave Nick cave songs, a duet with PJ Harvey from
Murder Ballads, a great LP, where all but the cover of Dylan's
Death Is Not The End live up to the title,